Playwright Jacob on the NCCA, the CSC, and arts and culture in the Philippines

Multi-awarded playwright and veteran cultural worker Malou Jacob was the Executive Director of the National Commission for Culture and the Arts (NCCA) until October 4, 2011, when the Commission decided to remove her from her post while she was officially representing the country at an international summit. Following below are texts that she published via her Facebook account, among other online venues. Slight editing has been undertaken for the sake of clarity.

See the related story on The Pro Pinoy Project, “NCCA Exec. Director replaced while abroad on official business” for more information.

Partial screen shot of Malou Jacob's public statements on the National Commission for Culture and the Arts (NCCA), the Civil Service Commission (CSC), and arts and culture in the Philippines.
Partial screen shot of Malou Jacob's public statements on the National Commission for Culture and the Arts (NCCA), the Civil Service Commission (CSC), and arts and culture in the Philippines.

I did not take the Civil Service Exams in the 1970s and will not take it now in the 21st Century. I refuse to join the league of civil servants that have made my country the most corrupt, the most politically and economically challenged in the world.

After 9 years in CCP and 3 years in the [National Commission for Culture and the Arts (NCCA)], I make the following observations and recommendations:

1. Leave the management of Culture and Arts free of politics.

Let it be managed by the artists and cultural workers themselves. HOW? The Chair and [Executive Director] should always come from their ranks (spirit of the [Presidential Commission for Culture and the Arts]/NCCA Law).

2. There is always a squabble, a tug of war every 6 years when there is a change of political leadership. Culture and Arts should stay far away from political power. Artists get tainted by them. Politicians should not be allowed to aggrandise themselves thru Arts and Culture. Artists should not kowtow to politicians. Politicians think quid pro quo. Artists are spontaneous, open, and intuitive. Unfortunately, there are artists who have become politicians and have ceased to be artists.

3. There should be an Academy of Peers/seasoned artists/cultural workers that chooses the National Artists; not the politically appointed members of the NCCA and CCP Boards; and certainly not the Honors Committee that comes in after the process of selection.

4.The Culture and Arts Industry is the next industry. The country is rich because of multiculturalism. Allow the traditional and contemporary artists to uplift themselves economically by eliminating the loan sharks; and by training marketing people who are sensitive; and will not take advantage of the artists.

5. Demonstrate the important historical role of the artists and cultural workers in times of natural and [man-made] crises. Art Therapy is at its best in the country.

6. Discover and hone the gifted from among the marginalised majority.

***

My Fellow Artists and Cultural Workers:

[Please see below.] This is not about me. This is about the right of the artist to lead the highest culture and arts office of the land. The CCP has been under an equivalency criteria arrangement with the CSC since the late 198O’s. When NCCA was PCCA, the Executive Director had a fixed term which means one cannot be ED for 10 or 20 years until retirement. Inform your [sub-commission] head if you want to pursue this.

FOR THE NCCA BOARD:

I believe that I am Executive Director of the National Commission for Culture and the Arts because I am a seasoned artist and an experienced administrator. I submitted to the CSC my books of plays, my plaques and medals which include the CCP Gawad para sa Sining and the Seawrite Award; a CV that lists my plays produced by the Philippine Educational Theater Association and Tanghalang Pilipino which include Juan Tamban, Macli-ing Dulag and Anatomiya ng Korupsyon.My CV mentions my almost 9 years in CCP, which included the setting up of the Broadcast Arts Department; the running of the entire Visual, Literary, Film and Broadcast Arts Department; the making of modules for outreach workshops in Radio and Television; and the organizing of the nationwide Gawad CCP para sa Telebisyon at Radyo.

The [Civil Service Commission (CSC)] disapproved my temporary appointment by the NCCA Board because I did not take the civil service exam. I did not take the civil service in 1987 when I joined the CCP; and I did not take it now for me to be Executive Director of NCCA.

On behalf of all the seasoned artists and cultural workers, I urge the NCCA Board to enlighten the CSC and submit now a proposal for an Equivalency Qualification Criteria for the position of the Executive Director.

Meanwhile a method/procedure in NCCA must be put in place by Admin. It should begin by informing the entire arts and cultural community through the committees that the position of the Executive Director is open. The seasoned artists/cultural workers should be encouraged to participate in the search of their Executive Director.

I am 63 years old. I will neither gain nor lose from this move. But the next and the next and the next Executive Director and the entire Arts and Cultural community will.

The position of the Executive Director should not be based on Civil Service Eligibility or the [Career Executive Service Eligibility]. It should be a position for the seasoned artist and cultural worker, who is respected by his/her peers and rooted in the artistic/cultural community.

Jay Salazar

Jaime Oscar M. Salazar has been blogging intermittently since 2002. He lives and works in Metro Manila. His personal blog is Random Salt.