Reposted with permission from our friends at The Scenester an online fanzine that has been covering the local music scene since the mid-90s.
ca·pac·i·ty /kəˈpasitē/ n. pl. ca·pac·i·ties
1. The ability to receive, hold, or absorb. 2. The maximum amount that can be contained. 3. a. Ability to perform or produce; capability. b. The maximum or optimum amount that can be produced. 4. The power to learn or retain knowledge; mental ability. 5. Innate potential for growth, development, or accomplishment; faculty. 6. The quality of being suitable for or receptive to specified treatment. 7. The position in which one functions; role.
To these definitions, we can now add: title of the soon to be released and much anticipated third album of Up Dharma Down under Terno Recordings.
The Scenester’s chief contributor, Kristo Babbler recently “sat down” with Armi Millare, keyboards and lead vocals for Up Dharma Down to take stock of the band’s evolution to date, their creative process in the lead up to their third outing, and Armi’s personal journey all throughout. A rather revealing exchange ensued.
Kristo Babbler (KB): Judging from Turn it Well (see video below), Capacities sounds like a very different album from Bipolar or Fragmented. I sense a more upbeat feeling from it, more life affirming, is that true of the rest of the album? And if so, was that by design, or did it just evolve that way over a period of time?
Armi Millare (AM): It’s part of our evolution as music-makers. I think we’ve consciously tried to re-interpret some things in a different way. Not because the theme is wrist-cuttingly sad, doesn’t mean it can’t be upbeat. There are ways around expression that we can toy with. I used to have the impression that anger was expressed with a lot of high register singing, but there is pent up anger, there are passive aggressive episodes and there are hopeful moments that don’t necessarily have to reflect into a fast beat.
KB: It’s been four years since you released Bipolar. Many of your followers are actually second and even third generation ones. Are you concerned that with this third album, your followers might not “get it”? Or are you fairly confident having road-tested the first track?
AM: We also wanted to explore new heights, always trying to do something new. We perform these songs at least three times a week and on a technical aspect, and so we want to keep ourselves inspired by creating new things (that) we haven’t done before. I don’t think that’s a crime. This is all we’ve got, so (we) might as well give it our best shot; might as well enjoy it. You can’t please everyone. And that’s been our mantra all these years. I think the reason why we stuck together was mainly because of that.
I realize that most people forget that even if we have not released a record in 4 years, we were relentlessly gigging since 2004 and a little before that. We were living the life of a performing band that hardly took any breaks because that’s how we want to spell out our commitment. In those 4 years before the actual CD was pressed, we have released tracks that kept us going. Most of them are only being heard now by a wider audience. Capacities has become a compilation of those 4 years and I would like to make sure that those singles do not go to waste when the album had always been on our minds soon after Bipolar was released.
We truly appreciate our listeners and we show that by interacting with them a lot. We feel grateful for their support, but I think the reason why they like the music is exactly because we don’t try too hard to please them. We’re pleased with our work, we’re mighty proud of it, because we wrote them from experience and there’s not one bit of a half-truth in this record. I bet all my chips on this one. Because in the next life, I’m going to be an anthropologist!
KB: There was a rumoured collaboration with Paul Buchanan of the Blue Nile, the Scottish band from Glasgow that UDD has been compared to. Did that actually materialise?
Read the rest of the interview here.